The tiny, delicate, nearly impossible-to-create hairspring is the one of the biggest advances for modern scientific technology there is. Here Joshua Munchow takes a dive into the muscle of the beating heart of most mechanical watches: the hairspring.
A collector got in touch with Martin Green about an engraving project on a Jaeger-LeCoultre Reverso Classique that he was planning. What caught Martin’s attention was that the collector was collaborating with an engraver very close to his home, so he seized the opportunity to follow the project as it unfolded. He shares his experiences and photos here.
The first time Bhanu Chopra strapped a borrowed BR 03-92 Black Matte Ceramic on his wrist, he thought that it was the perfect Bell & Ross watch for him, checking all the boxes for the characteristics he expected from an aviation-style instrument watch. He bought one and it has been part of his core pilot’s watch collection ever since. This is why.
Ashton likes vintage watches so much that his prized possession is a 1978 Rolex Submariner Reference 1680. Why does he love this watch so much? Not because it looks like it’s from 1978, but because it is from 1978. So, he asks, is the current vintage trend something we should be wholeheartedly embracing?
After reading article after article discussing the virtues of Patek Philippe’s Nautilus, it became clear to watch enthusiast and Quill & Pad reader Perry Heim that none stated a self-evident truth that appears obvious to him. In this “letter to the editor” Perry explains in detail what he finds so appealing about the Patek Philippe Nautilus Reference 5711. And he stacks the Nautilus up against some serious contemporary contenders.
GaryG was sitting at his breakfast table on the morning of January 18, 2013 when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
As these things go, Parmigiani Fleurier and GaryG go back a pretty long way. So it was with significant interest that he took up the opportunity to handle, photograph, and evaluate Parmigiani’s latest introduction, the Tondagraph GT. It’s a relatively rare combination of two useful complications in what the brand calls “all-occasion” packaging, and it is offered at a quite reasonable price relative to other pieces of its kind.
Why do high-end watches cost so much? To answer the question, Ian Skellern looked at low production numbers and high complexity, but the cost he focuses on here is hand-finishing, because unlike low production numbers and high complexity, ultra-high-level hand-finishing is not easy to appreciate.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
Colin Alexander Smith’s journey into what some call “watch fettling” began with a case of cat-killing curiosity: one of the subdial hands on a cheap watch had come loose, bringing it to a halt. That led him down a horological rabbit hole. Here he explains why you might want to consider a similar path.