One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
Colin Alexander Smith’s journey into what some call “watch fettling” began with a case of cat-killing curiosity: one of the subdial hands on a cheap watch had come loose, bringing it to a halt. That led him down a horological rabbit hole. Here he explains why you might want to consider a similar path.
A good friend of GaryG’s owns a cream-dialed Reference 2526, and Gary has often admired it over the years, but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why he bought this special “Gobbi Milano” edition from 1954 in an exciting spur of a moment.
You can like everything, but you can’t buy – or keep – everything! Inevitably, the choices involved lead at times to regrets; for GaryG, along with many of his pals, the sadness is much more often about pieces they sold too soon or failed to buy rather than pieces they were sorry about buying in the first place. Here’s a story of shoulda, woulda, coulda.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.
MrsG, GaryG’s charming wife, is perhaps most enthusiastic about her collection of Southwestern Native American arts and jewelry, but here Gary takes a look at her interesting watches, which include excellent examples from Jaeger-LeCoultre, Blancpain, Alain Silberstein, Audemars Piguet, and more.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. Read on to discover what he has learned since then.
If John Keil was to recommend a brand-new functional diver’s watch to a friend who was looking to spend within a certain price range, these would be his suggestions. Or, more specifically, here is what he would purchase himself in a variety of price categories.
If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s new Odysseus, he has been pondering metal watch bracelets and what makes them so special.
Does anyone really care how many jewels their watch has? Watchmaker Ashton Tracy thinks that you’d be surprised how many people do as they’ve been duped by a vintage practice of announcing the amount of movement jewels on watch dials. What is the real story here?