Many watch enthusiasts dream of owning at least one timepiece by Omega. And maybe even a second or a third. The Swiss brand definitely ranks among the most popular watch firms ever. To give you an idea of the overwhelming variety in the current Omega watch world, Sabine Zwettler has put together a guideline of references.
As the resident gentleman of Quill & Pad, Martin Green feels that the time is soon approaching to write an obituary announcing the death of the dress watch. He thinks that its passing is coming and it’s not an isolated event, but it still hurts.
At a local used watch dealer, Martin Green came across the Piaget Upstream and a lightning bolt struck! He had found the upscale, stainless steel sports watch he had been looking for. So what’s its story?
GaryG was sitting at his breakfast table on the morning of January 18, 2013, when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
GaryG was delighted to take possession of an Invention Piece 1 with its inclined double tourbillon, while a good friend of his replied in kind with a purchase of the quadruple-tourbillon Invention Piece 2. Ever since, he has been dying to get these two gorgeous monsters side by side in the light tent. And the time has finally come!
George Cramer was so impressed by a photo of a Wolf watch winder in a magazine that within minutes he was browsing online through the company’s complete collection of winders. He found the large number of watch winders and other watch-related products like cases impressive. So impressive that he asked to review one.
Is it possible to make a watch providing a novel and entertaining display of time that is wearable in a variety of settings and will be respected years from now? GaryG believes that he owns such a piece: the Upside Down made by independent watchmaker Ludovic Ballouard.
Date windows on wristwatches can be a touchy subject. Many feel they are downright ugly and destroy the look of a good watch, while others swear by them as the most useful and affordable complication. Whatever camp you may be in, the date function can be the cause of considerable grief, particularly the rapid set mechanism.
This is the story of a daily-wear watch: the Tsunami by Japanese independent watchmaker Hajime Asaoka. It’s not a “beater” as it’s too beautifully made for that description, and some folks justifiably take offense at characterizing a five-figure expenditure in those terms. But it is a watch that GaryG suspects that he will be wearing a lot and in a variety of settings.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless sets him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order, as typified by the Haldimann H1 Flying Central Tourbillon.