Gérald Genta’s claim to eternal horological fame is closely connected to the rise of high-end stainless steel watches: he designed both the Audemars Piguet Royal Oak (1972) and the Patek Philippe Nautilus (1976). While those two watches alone are enough to make Genta a legend, he did much, much more than that as Martin Green shares here.
Watch- and clockmaking has a long history in Germany, as evidenced by the fifteenth- and sixteenth-century timepieces from the Nuremberg/Augsburg area and the academic discussions of Peter Henlein, who is said to have made the world’s first pocket watch around 1505. But the country’s roots in great watchmaking do not stop there: Elizabeth Doerr takes us on an historical journey of Glashütte, the birthplace of modern Germany’s fine watches.
I clearly remember watching the history-altering events on television on November 9, 1989: the day that the Berlin Wall came tumbling down. Since then, watchmaking in Germany, just like the country as a whole, has undergone a lot of change, including the rebirth of Glashütte’s horological industry.
October 1, 2021, marks 20 years since Günter Blümlein passed away at the age of just 58. His untimely death meant that A. Lange & Söhne lost its visionary co-founder, and the watch world lost a charismatic businessman and strategist who was a crucial factor in driving the mechanical renaissance of watchmaking in the late twentieth century. His legacy was – and remains – the three so-called LMH brands, a “supergroup” that went on to form the nucleus of Richemont’s high-level manufacturing capabilities at the turn of the millennium.
You may have heard of a few or more of the following historical people and events: Thomas Mudge, George Graham, John Harrison, the Longitude Prize, Captain James Cook, and the mutiny on the ‘HMS Bounty.’ However, you are less likely to have heard the name of a horologist who played a pivotal role in all of the above: Larcum Kendall (1719–1790). Come with me on a worldwide adventure involving timekeeping and history.
The “great lockdown of 2020” gifted us with something outstanding: from the depths of an anxiety-inducing existence arose an online exhibition called “The Persistence of Memory,” which can be described as an !online museum” honoring some of the most influential and important independent watchmakers of the modern era. Here Elizabeth Doerr speaks with its creator Michael Tay for an inside view on what this “exhibition” surveying 50 years of independent watchmaking is. And what it isn’t.
The majority of today’s numerous flieger-style watches are inspired by the now-iconic German pilot’s and navigator’s watches of World War II, becoming a genre unto themselves. Bhanu Chopra flies high to take a deep dive into the long history of this popular style.
Post-war United States boasted unique market conditions that allowed for diamond-set men’s watches from a variety of brands to thrive. Martin Green takes us on a journey to discover how and why diamond-set watches for men became part of the American Dream.
In this non-chronological multipart series called “History of Ferrari Watches,” Elizabeth Doerr takes us through a comprehensive look into the Girard-Perregaux Pour Ferrari collaboration, which took place between 1993 and 2004 and culminated in the Girard-Perregaux Pour Ferrari Tribute to Enzo Ferrari Tourbillon with Three Gold Bridges perpetual calendar chronograph.
Nothing can stir up the watch world these days quite as much the launch of a new Apple watch. For some it’s a must-have gadget, for others it just isn’t a real watch. But quartz watches face perhaps more competition from smartwatches than mechanical watches. Does quartz even have a real future?
