Entries by GaryG

Heavy Metal: Great (and Not so Great) Watch Bracelets – Reprise

If cases get too little attention from watch collectors, GaryG feels that the straps and bracelets that turn a timepiece into a wristwatch seem to get even less. And of late, especially with the controversy surrounding the introduction of the “integrated” bracelet of A. Lange & Söhne’s Odysseus, he has been pondering metal watch bracelets and what makes them so special.

Why I Bought It: Rexhep Rexhepi/Akrivia Chronomètre Contemporain – Reprise

There are nice-looking watches, there are crisp-looking watches, and then there are watches that emanate an otherworldly glow. For GaryG the Rexhep Rexhepi/Akrivia Chronomètre Contemporain falls into the third category, so much so that it became a running joke for a friend to pantomime a “smelling salts” motion as a signal for Gary to pull up his sleeve and jolt him back to attention. Here he explains why he bought this new classic watch.

Why I Bought It: Grönefeld 1941 Remontoire – Reprise

There are some watches you fall for the moment you see them. Sometimes that initial infatuation passes and you move on to the next temporary obsession, but then there are those instances in which the more you see, talk about, and learn about a piece and its origins the more you resolve to save up to buy one. For GaryG, the Grönefeld 1941 Remontoire was one of the latter.

Watch Design: Originality, Similarity, or Imitation?

While GaryG thinks it’s all the more impressive that designers continue to delight us with new looks, many watches are often very similar. And trying to describe the slippery slope from vague resemblance to outright theft is not a simple task. So he begins down at the lower end of the grade with so-called homage watches and moves up the GaryG Styling Statute of Limitations from there.

Evolution of Social Media Watch Photographs Part 3: Storytelling, Collaboration, and a Bunch of Boobs – Reprise

It’s already time for the latest update in GaryG`s series of articles providing a completely subjective, unscientific, and unofficial history of watch photographs online. The big trend he has recently seen is the emergence of storytelling as a dominant theme in how watches are displayed. And while he lauds the rise to prominence of many more women among the population of online watch shooters and commentators, the emergence of boob shots with a watch hardly “empowers women” . . . or does it?