For the past five years, I’ve had the delightful experience of traveling to Switzerland with several friends to experience SIHH week, before finishing up with a Friday night dinner at which we review our impressions of the week by answering what watch we thought was best of show at SIHH; what was the worst watch; what current-production watch that we saw at any event during the week would we buy if money were no object; and what current-production watch did we see that we would buy with our own money?
In this edition of “Behind the Lens,” we take a look at a watch that you may not have heard about yet: the Inversion Principle by Fonderie 47. There’s a story to be told about both the brand and this particular watch. We explore both, although we primarily emphasize the design elements of the watch and their links to the brand, as well as some of my observations on what it was like to photograph this watch.
Over the twenty-odd years I’ve been buying “serious” watches, I’ve purchased more pieces bearing the Jaeger-LeCoultre brand name than any other, by far. Within the Jaeger-LeCoultre pantheon, one watch sub-group stands out for me: the Reverso. Between my wife and I, we’ve bought a total of seven Reverso models. Given that, why add another? In this instance, the Reverso Tribute to 1931?
It seems like only yesterday, but it was all the way back in January of 2014 that I had the opportunity to sit down for the first time with Elizabeth and Ian and hear their plans for Quill & Pad. Before the year completely gets away, here are a few of my observations and reflections on the industry, my first year at Quill & Pad, and my year in watches.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, my starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. What have I learned since then?
Once upon a time, in a small watch shop in a (relatively) small California town, there was a watch display case. This was before I really knew much at all about Vacheron Constantin as a brand and company. There was a display case. And a watch: the Vacheron Constantin Malte Squelette.
In this edition of ‘Behind the Lens,’ GaryG pays tribute to the introduction of the A. Lange & Söhne Lange 1 twenty years ago on October 24, 1994. He brings us stunning images of two very special variants of the classic watch: the rare Cellini limited edition, of which only 25 were made for the New York City retailer, and the even rarer stainless steel Lange 1, which was not a limited edition per se but certainly a (very) limited sort-of production watch.
Welcome to the second installment of “Behind the Lens.” This time, our subject is the Patek Philippe Advanced Research Ref. 5550P, a truly lovely perpetual calendar with some interesting technical twists.
Many watches hold a special significance for their owners. The watch I am chronicling here didn’t just change someone’s life, it changed MY life: the Jean Daniel Nicolas Two-Minute Tourbillon by Daniel Roth.
In the “Objects of Desire” series, I’ll be looking at pieces that fall into the latter two categories – a mix of unobtanium and timenotrightium, as my Quill & Pad colleague Joshua Munchow might say. And, where better to start on the topic of desire than with the watches of Robert Greubel and Stephen Forsey?