Welcome to a new installment of “Behind the Lens.” This time our subject is the Patek Philippe Advanced Research Reference 5550P, a truly lovely perpetual calendar with some interesting technical twists.
Once in a while on the collector forums a question is posed: is there anyone in the collector community who has never, ever, owned a Rolex? As a general rule, respondents to these queries tend to express disbelief that such a creature could possibly exist given the quality and ubiquity of the brand’s watches. Well, folks, GaryG is here to tell you that such people do exist, and that he is one of them. And then what happened . . . ?
There are nice-looking watches, there are crisp-looking watches, and then there are watches that emanate an otherworldly glow. For GaryG the Rexhep Rexhepi/Akrivia Chronomètre Contemporain falls into the third category, so much so that it became a running joke for a friend to pantomime a “smelling salts” motion as a signal for Gary to pull up his sleeve and jolt him back to attention. Here he explains why he bought this new classic watch.
From the time GaryG revealed that he’d added a Patek Philippe Reference 5170P chronograph to his collection, he has frequently been asked two questions: how does it compare to his Patek Philippe Reference 5370P split-seconds chronograph and how does it compare to Patek Philippe’s prior flagship chronograph, the platinum-encased Reference 5070P? Find out here!
This is the story of a daily-wear watch, the Tsunami by Japanese independent watchmaker Hajime Asaoka. It’s not a “beater” as it’s too beautifully made for that description, and some folks justifiably take offense at characterizing a five-figure expenditure in those terms. But it is a watch that GaryG suspects that he will be wearing a lot and in a variety of settings.
If you like watches at all, you have certainly seen wristshots and perhaps you have even posted a few of your own. Like the selfie, wristshots seem to be ubiquitous these days. But where did wristshots come from, why do they exist, and what are the pitfalls to look out for? GaryG shares a few tips on what he has learned works and what doesn’t.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. Read on to discover what he has learned since then.
When the hammer came down at the Phillips auction and GaryG had become the new owner of an A. Lange & Söhne Pour Le Mérite Tourbillon, the feeling was one of complete joy, representing the culmination of a multiyear chase. What makes this particular watch so special in so many ways to him?
If you were there, you won’t forget it soon. And if you weren’t, you are still going to be hearing about it for a very long time indeed. GaryG posits that the November 2021 Geneva auction week will be remembered as the point in time at which either the value of collectible watches reached a new plateau from which they only continued to climb or the bubble in prices for pieces from certain makers reached its most outrageous dimensions before deflating or imploding. Here’s what happened.
Can you imagine buying a watch bracelet and then searching for the right watch to pair with it? Seems a bit far fetched, but that’s exactly what a good friend of GaryG’s did a few years ago. And it led to him purchasing two beautiful 1815 Chronograph models from A. Lange & Söhne.