Day one for the Zenith Chronomaster Sport was January 21, 2021. And it seemed like everyone had the same reaction: “That is one aggressive Rolex tribute.” Tim Mosso thinks that the Chronomaster Sport is a distinctive product with its own identity and takes a look here at how it stacks up against the ever-popular Rolex Cosmograph Daytona.
It’s been more than ten years since the De Bethune DB28 won the Aiguille d’Or at the Grand Prix d’Horlogerie de Genève. Effectively the “Best Picture” at the “Oscars” of watchmaking, this recognition placed De Bethune among the elite company of Aiguille d’Or winners such as F.P. Journe, Greubel Forsey, Breguet, Audemars Piguet, A. Lange & Söhne, and Patek Philippe. A decade removed from its Hollywood ending, the DB28 remains a grail watch in every sense.
The Romain Gauthier Prestige HM is a rare instance of a creator finding his voice on the first attempt. Even through the lens of 17 years of the brand’s evolution, the Prestige HM remains immediately recognizable as a product of the engineer-turned-entrepreneur whose name it bears.
In Tim Mosso’s opinion, the Moser Endeavour Perpetual Calendar Tantalum Blue Enamel certainly appeals to the rational mind. It’s technically impressive, performs useful functions, and features sensible engineering. But selecting tantalum and enamel casts practical considerations to the wind. It’s simply stunning!
The last two decades have witnessed regular Rolex engineering advances, often in plain sight and in rapid succession. Despite these developments, Rolex remains a brand defined not by movements but by continuity, model families, and the Rolex image itself. Tim Mosso thinks that the root of Rolex’s soft-pedaled reputation for movement virtuosity lies in the company’s own branding strategy. That and more in this third installment of Rolex’s history of movement technology.
From the public’s perspective, Rolex’s surge into its movement revolution began with the now anachronistic-sounding Basel 2000 World Watch, Clock, and Jewelry Show. But the evidence of a long-term engineering campaign was mounting at the patent office and in the dealers’ showrooms as this article by Tim Mosso highlights.
If you want to love Rolex, but you love mechanical movements more than you love watch brands themselves, rejoice: Tim Mosso thinks that we are living in the halcyon days of Rolex movement innovation and shares a few well-illustrated technical and movement highlights right here.
The Angelus U41 Orange has an aesthetic that is more Richard Mille than Das Boot. At a launch price of $34,100, the notion of a tourbillon that can be enjoyed without care is compelling, and Angelus leans into it.
Hublot’s Big Bang Tourbillon Automatic Purple Sapphire is love-hate, but for a wealthy enthusiast who doesn’t take himself too seriously, Tim Mosso thinks that there’s a great deal to love.
The A. Lange & Söhne Datograph Perpetual Tourbillon lives up to its name. It has a date, a chronograph, a perpetual calendar, and a tourbillon. But it has more: this watch has character. Assigning human traits to a cold machine is a – romantic – fool’s errand, but it’s also irresistible in the presence of a masterpiece. A. Lange & Söhne’s warmest watch is more than a machine with a heartbeat. It has soul.