The de Fossard Solar Time Clock isn’t so much a clock but a time-telling sculpture because it unites the past, present, and future in a single object. Its design is rather futuristic, almost timeless, and the same can be said of the mechanics, but rather than reaching into the future like the design, they go back to the heyday of clockmaking.
Over the twenty-odd years he’s been buying “serious” watches, GaryG has purchased more pieces bearing the Jaeger-LeCoultre brand name than any other, by far. Within the Jaeger-LeCoultre pantheon, one watch sub-group stands out for him: the Reverso. Between his wife and he, they’ve bought a total of seven Reverso models. Given that, why add another? In this instance, the Reverso Tribute to 1931?
Here we take a look back at the history-making timepieces of the Harry Winston Opus series from Opus One through Opus Thirteen.
When collectors gather anywhere and talk about their collections, recent purchases, and executed or potential sales, there’s a term that comes up more often than not: “getting hurt.” Here GaryG provides a master class in how not to get hurt in the world of watch collecting.
One of the most influential pioneers of the twentieth century in watchmaking, Dominique Renaud (of Renaud & Papi renown), had a fantastic career before “retiring” in 2000 and moving to the south of France. After years of commissions and working on new ideas, a set of very intriguing concepts led to his return in 2013 and with it a promise of once again being a pioneer in the field of horology. And now the first tangible piece is here.
From a technical point of view, skeletonizing makes no sense: watchmakers go to great length to create a stable and robust movement, only to have others saw away pieces of its components. Skeletonizing is one of those instances when form takes over from function, bringing it even closer to being art.
Here is a story of neglect, replacement, and resurrection in Hollywood spanning nearly a century and involving Hugh Hefner, eBay, and the last American watch manufacture, RGM. It’s a fascinating journey leading to where we are now, and it is chock full of truly American entities. Meet the Hollywood 1923 watch by RGM, which incorporates a piece of American history.
During a visit to the Big Apple, GaryG had the chance to meet Analog/Shift’s founder, James Lamdin, and was pleased to sit down with him for a talk and borrow a couple of watches to take home and photograph.
This is a bit of an unusual article, but the story surreptitiously fell into my lap(top) just days before Christmas, and I thought that there is no better time of the year for publishing good news. Charris Yadigaroglou, MB&F head of communication, told me the happy ending to a scary incident earlier in the year at the MB&F M.A.D.Gallery in Geneva.
There was a small horological polemic recently out of Geneva caused by an employment advert from a high-end watch brand looking for a “chargé d’industrialisation métiers d’art.” First they industrialized horological crafts, now it’s the arts. What’s next?