This week’s roundup: Richard Mille announces the RM 011 Automatic Flyback Chronograph White Demon; the Beyer Uhrenmuseum in Zurich is exhibiting the works of 16 members of the A.H.C.I.; Audemars Piguet partner NBA team the team Atlanta Hawks; New York luxury watch show Timecrafters takes place in May; Devon Works introduces the Tread 2 Godiva and much more.
In 2009, Jaeger-LeCoultre introduced a wristwatch so complicated in its premise and execution that it made my jaw drop: the Duomètre à Grande Sonnerie. Then earlier this year, the Le Sentier-based brand introduced the Master Ultra Thin Minute Repeater Flying Tourbillon.
Contemplating the 30-meter-high ancient pyramid at Mayan archeological site Chichén Itzá in the blazing Yucatán sunlight, I was awestruck by the structure’s complexity. Not just because of the pure historical ramifications of the pyramid and temple , but also because of its timekeeping capabilities. Chichén Itzá’s most famous structure was actually built to be the world’s largest calendar And this at a time when calendars didn’t even exist!
The Andreas Strehler Sauterelle à Lune Perpétuelle contains a moon phase mechanism that will only need adjustment by one full day every 14,189.538 years. And not only does the Lune Perpétuelle have an extremely accurate moon phase, but with the help of the constant force mechanism it is even more accurate for the little intervals as well.
This is the last in our three-part series on tourbillons from Baselworld 2014. It includes fantastic timepieces from Blancpain, Greubel Forsey, Girard-Perregaux, Hautlence and Vianney Halter I have stretched the criteria a little here: while I saw the Greubel Forsey and Vianney Halter watches during Baselworld, neither of them was actually exhibiting at the fair.
* Richard Mille’s team has just returned from Caribbean island St. Barth, where it was the main sponsor of regatta Les Voiles de Saint Barth for the fifth consecutive year. The regatta’s Maxi class winner, Alex Shaerer, was awarded an RM 028 Edition Voiles de Saint Barth in titanium.
One hundred seventy-five years is an enormous span of time for a watch company to be in continuous existence and consistently producing not just timepieces, but top-of-the-range timepieces. What is the secret of this quintessentially traditional company, which has managed to move with the times so gracefully, continuing to appeal to younger people just getting bit by the horology bug as much as older, settled collectors?
De gustibus non disputandum est, as they say: there is no arguing about taste! In particular, I’m not one to tell people what they can do with their belongings. If you, for instance, want to take your Ferrari, paint it pink, and put a giant Hello Kitty decal on it, that’s your privilege. That doesn’t mean that I have to like the item in question. In this instance, I am referring to the Grieb & Benzinger re-interpretation of the classic A. Lange & Söhne Pour le Mérite Tourbillon christened Blue Merit.
Quill & Pad has the extreme honor to introduce you to the Grieb & Benzinger Blue Merit, a unique collector’s item created from one of the rarest serial movements in watch history: A. Lange & Söhne’s Tourbillon Pour le Mérite.
Today I don’t want to talk about one specific watch (though the Girard-Perregaux Tri-Axial Tourbillon gets special attention). Instead I want to discuss a whole class of mechanisms that made me cross the line from watch fan to so-called “watch idiot savant” (affectionately abbreviated as WIS): the multi-axis tourbillon.