Here at Quill & Pad we are quite smitten by Romain Gauthier’s award-winning Logical One. But one thing that often gets glossed over somewhat is the subject of one of this watch’s four patents: the incredible high-precision chain made of synthetic ruby links. Combined with the snail cam, it is this element that provides the ingenious movement with constant force.
There is a bit of a “wild and crazy” side to Romain Gauthier that’s usually not apparent at first sight. But we have an unprecedented view at the wild and crazy side of his personality when we gaze upon the new Enraged versions of his Logical One and Prestige HMS timepieces, which feature a rough and grainy new finish and an aggressive, spiky version of the logo. This is definitely worth a look and a feel!
Romain Gauthier, the young owner and founder of the independent luxury watch brand of the same name, has worked in horology all his adult life. This fact is not inconsequential: it explains the basis for his vision of watchmaking, which starts with the “ingredients” of a watch: the components themselves.
The top picks of my eighth consecutive visit to Baselworld were purely emotional, down to the design and aesthetics. These would be watches that I would want to wear and own. So armed with a bottle of water, my trusty Leica Q and tones of enthusiasm, this is #mybaselworld.
Romain Gauthier, the independent watchmaker at home in Le Sentier, Switzerland and the French fashion icon Chanel, are bound by more than a passing working relationship: Chanel now reveals that it owns a “friendly” stake in Romain Gauthier. The seeds of this seemingly disparate partnership between Chanel and Romain Gauthier were sown during a meeting that took place at the 2011 edition of Baselworld. At Baselworld 2016 it comes full circle with the Monsieur de Chanel.
I was sitting at my breakfast table on the morning of January 18, 2013, when during my morning scan of news I saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch I immediately knew that I would own someday. I was captivated by the white gold version with frosted gold movement: this was “the one” for me. Read on to find out why.
Ian Skellern deliberately wrote the headline as “Why We Are In A Golden Age For Appreciating Superlative Hand-Finishing . . . ” because the fact is that if many people do not appreciate superlative hand-finishing, then fewer will pay for superlative hand-finishing, so there is likely to be less superlative hand-finishing on offer. So what does any of this mean for the future of superlatively hand-finished timepieces?
In this article I look at why high end watches cost so much by examining one of the most important factors. To answer this question, there are quite a few reasons, including low production numbers (mass manufacture brings prices down) and high complexity, but the one I will focus on here is hand-finishing, because unlike low production numbers and high complexity, ultra-high-level hand-finishing is not usually easy to appreciate.
Welcome to the 2015 edition of Quill & Pad’s early Grand Prix d’Horlogerie de Genève (GPHG) predictions in which we pick our favorites and explain why. The six finalists in the Artistic Crafts category are the Blancpain Villeret cadran Shakudo, Girard-Perregaux The Chambers of Wonders – The New World, Harry Winston Premier Precious Butterfly Automatic 36mm, Hermès Slim d’Hermès Koma Kurabe, Piaget Altiplano Scrimshaw, and the Romain Gauthier Logical One Secret Kakau Höfke.
Romain Gauthier’s Logical One is a masterpiece of complicated mechanics, boasting − as with all of the models in his collection − a level of finishing rivaled only by the likes of Philippe Dufour, Greubel Forsey, and Kari Voutlainen. That’s high praise, indeed. With its four patents, Logical One delivers what it promises: a re-imagined complication laid out very logically. And the most recent edition of the timepiece taking home the 2013 Grand Prix d’Horlogerie de Genève prize for best men’s complication is a surprising all-black version.