There were new models launched in Hong Kong at the second edition of Watches & Wonders from Jaeger-LeCoultre, Richard Mille, Vacheron Constantin, A. Lange & Söhne, Montblanc, Audemars Piguet, IWC, Roger Dubuis, and Panerai.
Now we get to the real nitty-gritty at the Grand Prix d’Horlogerie de Genève.: the Aiguille d’Or. There are no ifs, and or buts any more, just a decision on which of the 72 pre-selected watches is the best overall timepiece of the year. It is the most prestigious of the awards given.
Which could be our panel’s favorite to win? The Margot by Christophe Claret? Urwerk EMC? Perhaps the De Bethune DB29 Maxichrono Tourbillon? Or will it be something else entirely?
On October 24, 1994 A. Lange & Söhne officially introduced its very first modern collection. The first public appearance of the new watches by A. Lange & Söhne sent out a global signal that a phoenix was rising from the ashes. And this phoenix was soon to turn into a soaring eagle, which would have the ability to captivate even dyed-in-the wool Swiss watch enthusiasts and collectors.
In this edition of ‘Behind the Lens,’ GaryG pays tribute to the introduction of the A. Lange & Söhne Lange 1 twenty years ago on October 24, 1994. He brings us stunning images of two very special variants of the classic watch: the rare Cellini limited edition, of which only 25 were made for the New York City retailer, and the even rarer stainless steel Lange 1, which was not a limited edition per se but certainly a (very) limited sort-of production watch.
In October 2014, Germany celebrates 25 years of reunification and A. Lange & Söhne celebrates 20 years since the truly iconic Lange 1 was introduced. Quill & Pad has the immense honor of presenting a new film to you with a great deal of never-before-seen footage ahead of its October 25 premier in Dresden.
GaryG provides us with a look at why he bought the A. Lange & Söhne Double Split even though he already owned the brand’s Datograph. The Double Split watch is the world’s only double rattrapante capable of both split-second and split-minute interval timing.
I clearly remember watching the history-altering events on television on November 9, 1989: the day that the Berlin Wall came tumbling down. Since then, watchmaking in Germany, just like the country as a whole, has undergone a lot of change. The rebirth of Glashütte’s horological industry is an unparalleled story, one coming with a great number of human-condition stories that will someday need lots of telling . . . and here is the first.
The pre-selected Calendar watches in the 2014 Grand Prix d’Horlogerie de Genève are as varied as they are superb: the A. Lange & Söhne Richard Lange Perpetual Calendar Terraluna, Montblanc Meisterstück Heritage Perpetual Calendar, Van Cleef & Arpels Midnight Planetarium, Breguet Classique Tourbillon Quantième Perpétuel, Zenith Captain Winsor Annual Calendar and the Jaquet Droz Perpetual Calendar Eclipse Ivory Enamel. Which would you choose?
Ferdinand Adolph Lange had already been selling watches in Saxony’s capital city Dresden since 1844. Follow us on a historical journey through nineteenth-century Dresden to lightly trace the footsteps of the Glashütte watch industry’s founding father, which continues in the modern day with A. Lange & Söhne’s new boutique on New York City’s Madison Avenue.
Ninety years is a ripe old age to reach for anyone, and few actually reach it. But it doesn’t surprise me that Walter Lange has reached this age so gracefully. He was, after all, 66 – retirement age for most people – in 1990 when he embarked upon the new business venture with Günter Blümlein to refound his family’s birthright.