Now, it seems fairly evident that we are on the down slope of either a cyclical correction in prices or, if one takes a less optimistic view, a permanent loss of watch value as the mechanical timepiece industry faces a variety of challenges and potential disruptions. So what’s a collector to do?
GaryG has the pleasure of covering the wonderful Grönefeld One Hertz. For a watch fanatic, and especially for lovers of independent watch brands, it’s a dream come true to meet the makers of the watches that we admire.
When GaryG encountered Konstantin Chaykin’s Joker, whose “face” is literally just that with two googly eyes showing the hours and minutes with their respective pupils and a lolling red tongue displaying the phase of the moon, he was transfixed. And moments later he placed an order.
To my longtime friends in the watch hobby, and perhaps to regular readers here as well, the mention of my name may conjure up a number of connotations: patron of the independents, fan of A. Lange & Söhne, admirer of Patek Philippe grand complications, and longtime customer of Jaeger-LeCoultre, among other characterizations more or less favorable. But vintage?
GaryG’s first rule when it comes to collecting is to avoid setting too many exclusionary rules. With watches, he believes that it’s the passion that separates collectors from investors and accumulators. Which brings him to another rule: deriving the full enjoyment from the things you own.
GaryG’s thoughts have turned to one major system that is always there, but generally hidden from sight: the movement. Here are a few of his favorites and why. And in the philosophy of putting my money where my mouth is, these movements have appeared in one or more watches that he has owned personally.
This is the story of GaryG’s pursuit, and eventual capture, of a classic vintage watch: a Type 20 “big eye” flyback chronograph manufactured by Mathey-Tissot.
There aren’t that many rules that GaryG applies to watch collecting, but one rule that he has found critically important is that it’s crucial to handle a watch before buying it. This story however is about how Gary completely violated that rule and nonetheless came away happy with a watch that few people would have guessed he would buy: the 2020-launched Oyster Perpetual 41 from Rolex with a bright turquoise blue dial.
When the hammer came down at the Phillips auction and GaryG became the new owner of an A. Lange & Söhne Pour Le Mérite Tourbillon, the feeling was one of complete joy, representing the culmination of a multiyear chase. What makes this particular watch so special in so many ways to him?
GaryG had the opportunity to borrow a Rolex GMT-Master II BLRO Meteorite from a long-time friend to photograph and wear. This watch’s main event is the dial, a thin slice of metallic meteorite whose crystalline structure reflects the slow cooling process that took place as the meteor hurtled through space. Here he tries a variety of photographic techniques to learn which works best on the dial’s unique structures. Which are your favorites?