The DB28 Digitale is a masterpiece that debuted earlier this year. While straightforward in its appearance, it is truly a work of horological expertise and pure beauty. But more so, it is clearly the result of a healthy dose of inspiration from Urania. The focus on this piece is actually the large expanse that is cleanly decorated but remains without superfluous ornamentation.
Before the turn of the last century, a famous travel goods company by the name of Louis Vuitton was working with elite clientele, which often encompassed world travelers. These clients wanted a way to mark their goods with a personal design that would represent them all over the world and distinguish them as wealthy and powerful business people.
The Andreas Strehler Sauterelle à Lune Perpétuelle contains a moon phase mechanism that will only need adjustment by one full day every 14,189.538 years. And not only does the Lune Perpétuelle have an extremely accurate moon phase, but with the help of the constant force mechanism it is even more accurate for the little intervals as well.
Today I don’t want to talk about one specific watch (though the Girard-Perregaux Tri-Axial Tourbillon gets special attention). Instead I want to discuss a whole class of mechanisms that made me cross the line from watch fan to so-called “watch idiot savant” (affectionately abbreviated as WIS): the multi-axis tourbillon.
Parallax is a fascinating phenomenon that has real-world applications, including the amazing ability of humans to use their two eyes and parallax shift to judge depth of field. You can reach out and grab that doorknob because of science. For this reason and more I absolutely love the latest creation to come out of the Grönefelds’ workshop, their aptly named Parallax Tourbillon.
I simply went gaga over R.W. Smith’s latest creation when I first saw it. Commissioned as part of the British government’s GREAT Britain campaign, which is on its third year, Smith’s latest creation is appropriately called the GREAT Britain watch. Well, of course!
Baselworld is about connecting. Many people will say that attending Baselworld is about having a lot of meetings, taking thousands of wrist shots, and running across the halls with your arms full of press kits and chocolate boxes. While that certainly is part of the show for many, you have truly missed the point if you think that is all that Baselworld is.
Recently I found myself at a bit of a crossroads. Horologically I mean, as I was having trouble with a new discovery I had made. You see, I had just been slapped across the face by something entirely unexpected. Unexpected by me at least and I needed to come to terms with the fact that I may have been wrong if this new development was to be accepted as reality.
It turns out I was completely wrong.
The human body is a sexy, well-designed machine, the structure of which is built for variability and ultimate maneuverability. It is a finely evolved apparatus that has helped us rise to the top of the food chain and in many cases removed us from it all together.
There are many categories of people who partake in the experience of watches. I like to give some of them labels like watch enthusiasts, watch collectors, watch fanboys (or girls), watch connoisseurs, watch geeks, and watch-aholics.
Each category shares aspects with the others, but they all have their own distinct variety of enthusiasm in which people focus on different avenues for their passions.
The reason I want to talk about my definitions of watch love is because I want to talk about one of the biggest horology nerd projects going on right now: Le Garde Temps, Naissance d’une montre. Translated this means “The Timepiece, the birth of a watch.”