Throughout the years, IWC has carefully extended its collection, adding complications and new variations, yet always under careful consideration of its original “DNA.” In 2020 IWC expands the Portugieser collection with new automatics, perpetual calendars, and chronographs.
While Martin Green is not a particular fan of skeletonized watches, the Jaquet Droz Grande Seconde Skelet-One has seduced him. Here he explains why.
The success of Le Labo can be boiled down to a single scent: Santal 33. It touches everything that Le Labo stands for. When you put a touch of Santal 33 on it smells refreshing yet familiar, and Martin Green explains why here.
The Parmigiani Tonda 1950 Double Rainbow Flying Tourbillon pleases the heart and the eye with its complex and well-finished movement, but Martin Green thinks that it also tantalizes with its unique design and innovative use of colored gemstones.
Martin Green highlights three new watches that we would have seen for the first time at Watches & Wonders 2020 had the fair run: the new Montblanc Heritage Monopusher Chronograph, the Cartier Santos-Dumont XL, and Roger Dubuis’s Excalibur Twofold that introduces a new material to watchmaking: LumiSuperBiwiNova.
Ikepod launched in 1994 so co-founder and designer Marc Newson could create his own playground, which is exactly what he did. And there is no better example of his joyful design than the Ikepod Megapode launched in 1999.
Martin Green relishes discovering an exquisite watch in peace and quiet with plenty of time; it’s a luxury he appreciates. All the more so in a quiet comfortable salon on the first floor of the Jaeger-LeCoultre boutique at Place Vendôme, Paris, with a Duomètre Sphérotourbillon Blue.
Trends rule a larger part of our lives than many of us wish to admit. Sometimes we follow trends consciously, but often we are subconsciously influenced in the choices we make. All brands perform a delicate tightrope walk, but they differ in how successful they are. Let’s take a look at how trends affect or don’t affect now-iconic timepieces.
Let’s be honest: nobody needs a high-end mechanical watch. That we want one is based on the different levels of how a particular watch appeals to our emotions. And in the heat of passion, we sometimes tend to forget that, as in any normal industry, companies sometimes cease to exist for a panoply of reasons. What should you consider if you own, or would still like to own, a watch made by a now-defunct brand?
Martin Green is no Gérald Genta groupie charmed by everything the designer created, but he appreciates greatness. While some may favor the Genta Gefica or Grande Sonnerie as the master’s definitive design, Martin makes a case for the Retro. Find out why here.