Ronnie Wood, a celebrated painter outside the realm of his duties as guitarist for the Rolling Stones, explained that it was he who searched out a horological collaboration and very naturally came across Bremont as a British marque of note. “I Feel Like Painting” represents his second dial for Bremont’s B-1 Marine Clock.
While passing through New York City recently, I decided to duck into the historic Waldorf Astoria hotel to have a look at its famous lobby before the hotel closes for construction at the end of February 2017. And what I found was a historical clock with electrifying presence.
Konstantin Chaykin’s latest masterpiece, the Moscow Comptus Easter Clock, isn’t designed for the wrist but for the mantel, and it presents further evidence that the man I dubbed the “Wonderboy Russian Watchmaker” is one of the greatest watch and clockmakers in the game today.
The Atmos 568 is Marc Newson’s third design for Jaeger-LeCoultre’s iconic range of perpetual clocks, but this one is different. Here Joshua Munchow explains what makes it different and the predicament he’s in when it comes to choosing a favorite.
An appreciation for inherent value and superior timeless aesthetics culminated with my first personal encounter with the Sattler Classica Secunda 1985, a rare modern precision pendulum clock. It adorned the hallway of the former Chronoswiss headquarters in Munich, Germany where I was working at the time. Upon sight, the immediate conviction overcame me that one day I would have to own one of these stunning marvels of wall art. Let me tell you why.
Balthazar’s mission: to locate the source of a distress signal, uncover the events leading to the signal, and learn the fate of Melchior. Here we present an imagined account of Balthazar and Melchior, MB&F’s robot clocks outfitted with real personality.
Meet 38-year-old Dilip Sivaraman from India, who entered the 2016 Young Talent Competition sponsored by the AHCI, F.P. Journe, and Horotec, where he was a finalist. Sivaraman had started out wanting to fix an antique clock he had bought, but ended up making his own clock, called Gato, escapement and all.
When you think of fantasy and science fiction, what do you think of? I sometimes allow my imagination to drift into the paranormal and early twentieth-century years of discovery. This is the world that inspired the creation of Frank Buchwald’s latest creation for the M.A.D. Gallery, which is, of course, the Nixie Machine, a fantabulous clock featuring rare and giant Nixie tubes produced in the 1960s by the state-owned RFT in East Germany. I can imagine this clock in a variety of fictional settings from the worlds of Jules Verne, H.G. Wells, and even Isaac Asimov.
This year’s Tour de France started in Britain and the riders raced past one of Cambridge’s most interesting and unusual horological sights: the Corpus Christi Chronophage (“time-eater”) on display on the outside of a prominent building of the Corpus Christi College, one of the most prestigious at Cambridge University.
In Einstein’s Special Theory of Relativity, the great man introduced the concept of “spacetime: henceforth, space by itself, and time by itself, are doomed to fade away into mere shadows, and only a kind of union of the two will preserve an independent reality.” Which segues nicely into the discovery of a clock by Gustave Sandoz that doesn’t tell the time: it tells distance.