Raúl Pagès goal for the RP2 was to design a timeless classic, where purity of form meets technical excellence. A watch that would serve as the foundation of his collection for years to come. Every detail, from the clean lines to the entirely in-house movement, reflects his pursuit of balance between apparent simplicity and absolute refinement.
All previous diver’s watches have one thing in common: the only functionality related to diving is the bezel. The Singer Reimaged Divetrack revolutionizes dive watches with its central chronograph timing functionality.
The appeal of the Grönefeld One Hertz Titanium isn’t its parlor trick but its holistic excellence. It is nearly as compelling while static as in motion. From design to materials to decoration to engineering, the Grönefeld One Hertz Titanium distinguishes itself as a rare pleasure for the observer and a rare privilege for the owner.
Ian Skellern did not like the Ming 37.09 Uni dive watch on first sight. Or second. The ‘industrial’ – to my eyes – rather than elegant ‘chunky’ white minute ring, while practical i.e., highly visible, which is good for a dive watch, just didn’t work for him. But after a couple of days he looked at the dial again and decided that he liked it.
In the 7 years since Peter Speake parted with the Speake-Marin brand he has been collaborating with other brands and watchmakers. Now he is back with a new brand PS Horology and two new models: the Tsuba Blue and Tsuba Dong Son.
While Tim Mosso has seen watches with long power reserves, huge power reserves, and absurd power reserves, the result always looked as outwardly awkward as it was technically adept. Every watch he has encountered with a power reserve beyond ten days was massive. But the Haute-Rive Honoris 1 is a compact marvel through clever design.
The Roger W. Smith Series 4 is a real crown jewel, both out of respect and a sense that its inherent quality is obscured by less extraordinary but more bombastic rivals. It’s austere, deliberately reserved, and quietly confident amid a world of indie watches buffed and beveled brightly enough to blind an eye.
With it’s open dial and sweeping skeletonized bridges, Andreas Strehler’s Papillon d’or is both a horological and visual masterpiece.
Now with his new Faune et Flore collection, Strehler takes the Papillon d’or to an even high artistic level.
Simon Brette unveils the “Rose Gold” edition of his GPHG-winning Chronomètre Artisans timepiece: it’s a sensational harmony of the warm rose/red gold case and intense-black ‘dragon scale’ dial.
Urwerk has installed the latest evolution of its wandering satellite-hour movement on the new he UR-150 Scorpion. It delivers a sense of theatre when one hour dramatically transitions to the next.