Ninety years is a ripe old age to reach for anyone, and few actually reach it. But it doesn’t surprise me that Walter Lange has reached this age so gracefully. He was, after all, 66 – retirement age for most people – in 1990 when he embarked upon the new business venture with Günter Blümlein to refound his family’s birthright.
To make a carbon fiber watch case, chopped carbon and resin material is lightly packed into a mold and then heated to the temperature at which the resin melts. For the SpidoLite II Tech outer case frame, this process enables Linde Werdelin to have a solid carbon fiber frame without any miniature layup. It also makes the material nearly indestructible under even the most challenging of circumstances.
Having had the opportunity to wear Urwerk’s UR-110 TTH for a month, I came to seriously appreciate not only the unique craftsmanship and gorgeous styling of this particular model, but also its cool, yellow-green lume display at night. The blackened titanium case and tantalum bezel is absolutely rock and roll: heavy in color, aesthetic in hue and unusual in this shape.
During Quill & Pad’s on location visit to Jaeger-LeCoultre in Le Sentier, Ian and I had the unique chance to take a lesson in enameling from the brand’s self-taught master Miklos Merczel. Merczel’s story is an interesting one, and jibes with Jaeger-LeCoultre’s common history with this art form: historically and uniquely on request, Jaeger-LeCoultre has famously placed enameled miniature paintings on the flip side of the Reverso case.
It was the Friday morning training session before the 2014 Hockenheim Formula 1 Grand Prix race and we were on our way to watch from a most privileged position: the box. Or, as it’s called by the Anglo-Italo Marussia F1 team, “the garage.” Armin Strom has been sponsoring the Marussia team for three years and had invited me for a look behind the scenes.
One night I was doing my typical browse-for-tools-and-equipment-while-making-excuses-and-putting-it-off thing and I happened to be talking to my best friend about how I wished I could have what I needed to make the watch I had designed.
Having heard this story many times, she finally said, “Seriously, quit complaining and just do it.” Two days later I had an order of parts and raw materials headed my way on a FedEx truck. And here’s how I made my first watch.
Surprisingly, Montblanc has entered the 2014 edition of the Grand Prix d’Horlogerie de Genève (GPHG). I say surprisingly because I know that Jérôme Lambert is not fond of “beauty contests.” Montblanc’s SIHH 2014 offerings were thoroughly exciting and Lambert came across like a miracle worker to me. In the short year he has been in charge, the collection now boasts clear divisions into three main pillars, the top of the line obviously remaining Villeret.
This past weekend I had the very good fortune to share an exceptional experience with good friends, a personal one, but it involved people I know through my work with watches. Over dinner we reminisced about a memorable trip back in 2009 to the Nice observatory for the introduction of the Ulysse Nardin Moonstruck wristwatch. Let me take you on a trip down memory lane with it.
This year’s Tour de France started in Britain and the riders raced past one of Cambridge’s most interesting and unusual horological sights: the Corpus Christi Chronophage (“time-eater”) on display on the outside of a prominent building of the Corpus Christi College, one of the most prestigious at Cambridge University.
This is the first in a planned series of “why I bought it” articles that will unfold here over time. Of course, there will be photos – and lots of them – but I hope you’ll find my commentary on a collector’s mindset and the motivations, delights, and possible misgivings behind each individual transaction interesting, too. Let’s start the series off with a bang: the Vianney Halter Deep Space Tourbillon.