Recently I found myself at a bit of a crossroads. Horologically I mean, as I was having trouble with a new discovery I had made. You see, I had just been slapped across the face by something entirely unexpected. Unexpected by me at least and I needed to come to terms with the fact that I may have been wrong if this new development was to be accepted as reality.
It turns out I was completely wrong.
Location. Location. Location. I work from a comfortable, but fairly non-descript office situated between Geneva and Lausanne. The region is visually stunning with the lake and Alps to the east and Jura mountains to the west, but one of the major things making the location so special to me is that I am only five minutes’ drive from the Speake-Marin atelier.
For those of you not aware of who, or what, Roland Iten is then the two words − though not the only two − you need to know are “belt buckles.” High-end belt buckles. Belt buckles crafted like a high-end watch. Belt buckles crafted like a very high-end watch. Crafted so well that both Sylvester Stallone and I are big fans.
Not everyone gets to check out Breguet’s factory from the inside, and those who do generally don’t get to take photographs of what they see. This modernized factory in the heart of the remote Vallée de Joux with its many annexed hallways, secretive doors and interesting manufacturing capabilities has long been a jealously guarded secret.
Entering Mentink & Roest’s booth, one is not only immediately enchanted by the lovely chimes and ticks of timepieces that are hundreds of years old. Here at this booth planted squarely within The European Fine Art Fair (TEFAF) held in Maastricht, Holland, the senses are also barraged by the conversations taking place among the various connoisseurs, collectors and dealers of these pieces, . . .
The human body is a sexy, well-designed machine, the structure of which is built for variability and ultimate maneuverability. It is a finely evolved apparatus that has helped us rise to the top of the food chain and in many cases removed us from it all together.
This stunning diamond-encrusted minute repeater pocket watch is thought to be over 100 years old (circa 1910). An incredible 450 brilliant-cut diamonds ,over 16 carats in total, cover the case and covers with yellow gold accents on the crown, cover hinges and ring add a contemporary touch.
History has a way of repeating itself, so it should not come as a huge surprise that something is brewing in Dresden, once the seat of central Europe’s progressive fascination with fine mechanics. That this particular seat (a throne, really) has moved to Glashütte along with A. Lange & Söhne is not news. Today’s story is remarkable in that it comes from perhaps an unexpected corner: the A.H.C.I.’s only member in the Saxon capital city.
This year’s Hybris Artistica collection features a set of 12 unique masterpieces created to draw attention to this quasi-lost art. These 12 timepieces combine a high complication that is already unique to Jaeger-LeCoultre with an extreme artistic element . . .
There are many categories of people who partake in the experience of watches. I like to give some of them labels like watch enthusiasts, watch collectors, watch fanboys (or girls), watch connoisseurs, watch geeks, and watch-aholics.
Each category shares aspects with the others, but they all have their own distinct variety of enthusiasm in which people focus on different avenues for their passions.
The reason I want to talk about my definitions of watch love is because I want to talk about one of the biggest horology nerd projects going on right now: Le Garde Temps, Naissance d’une montre. Translated this means “The Timepiece, the birth of a watch.”