It’s that time of year again when the list of watches entered in the next edition of the Grand Prix d’Horlogerie de Genève (GPHG) is published. The GPHG is the “Oscars” of the watchmaking industry, and 2016 is the sixteenth edition of the red carpet event.
This list comprises all of the watches competing in the first round of the competition from which the jury will pre-select six in each of the 12 categories.
I’ve been trying, but have not managed, to come up with a more diplomatic way of saying this, so I’ll just come out with it: up to now, I have not generally been a fan of Bovet 1822. So I was surprised by just how much I was impressed with the Ottantasei by Pininfarina and would be very happy to wear one daily. But there is one niggle that I just can’t shake off.
In 2010 I had the pleasure of visiting a Swiss artist, whose talents spread across a broad spectrum of artistic domains. However, he would be much better known to anyone reading Quill & Pad as the designer of some of the most revolutionary wristwatches of the last century. Can you guess who he is and the watches he has designed from the clues provided?
Contemporary watchmaking has been making waves in the generally calm waters of traditional watchmaking for nearly two decades and has radically changed perceptions as to what haute horlogerie might be. But watching the superb Netflix series ‘Chef’s Table ‘ and contemporary haute cuisine, I can’t help but wonder if the pioneers and leaders of contemporary watchmaking are doing enough.
They say that money doesn’t grow on trees, but during a visit to Christophe Claret I discovered what appears to be the secret to the company’s manufacturing process: regular pruning. What story do you think explains the horological fruit that this tree bears? Please leave your suggestions in the comments.
This photo was taken in what was then Zaire, but is now the Democratic Republic of Congo (DRC), and it highlights what happens if a small pothole is not repaired . . . it just keeps getting larger and larger until it can literally swallow trucks whole. What other stories can you suggest for this photo? Please share your suggestions in the comments.
The car is a prototype by Pininfarina for Lancia from 1957 called the “Florida II” and it was the personal car of Mr. Pinin Farina for many years. This was one of the most influentially stylistic cars of its era. But why on earth do the windscreen and steering wheel appear to be at opposite ends of the cabin? What might this car really have been designed for?
On the wrist is a diamond-set Urwerk UR-106, but what’s going on with the Vulcan finger meld? Might it be Urwerk’s latest winding system with power transferred through finger tips? What do you think is happening in this photo? Leave your fun, funny, or sarcastic caption in the comments!
You may have heard of a few or more of the following historical people and events: Thomas Mudge, George Graham, John Harrison, the Longitude Prize, Captain James Cook, and the mutiny on the ‘HMS Bounty.’ However, you are less likely to have heard the name of a horologist who played a pivotal role in all of the above: Larcum Kendall (1719–1790). Come with me on a worldwide adventure involving timekeeping and history.
So now that the dust has settled on the recent Phillips Start-Stop-Reset auction of stainless steel chronographs in Geneva, a sale that saw 100 percent of its 88 lots sold, I’d like to focus on a watch that I thought stood out from the very strong field.