A good friend of GaryG’s owns a cream-dialed Reference 2526, and Gary has often admired it over the years but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why he bought this special “Gobbi Milano” edition from 1954 in an exciting spur of a moment.
GaryG’s first rule when it comes to collecting is to avoid setting too many exclusionary rules. With watches, he believes that it’s the passion that separates collectors from investors and accumulators. Which brings him to another rule: deriving the full enjoyment from the things you own.
It’s a bit unusual for GaryG to be writing this soon about a newly acquired piece – this one only arrived a little over a week ago – so he will reserve the right to add pluses and minuses in future articles once this watch has gotten substantial wrist time. Already, though, there are several reasons why he can say that he’s smitten with this watch. Read on to discover what he likes and whether he has any quibbles.
Many professsional watch journalists may or may not have loved watches when they first started writing about them. But attitudes and personal tastes transform over time, so that some journalists who started in another field may come to love watches more than they ever thought possible. And four of them feature in this Instagram Live video. The overriding question answered is what makes individuals like us decide on what we do, say, buy, collect, and, above all, write?
There is little more mythical in the world of horology than the existence of a handful of stainless steel watches by A. Lange & Söhne, a brand that only officially makes its timepieces housed in luxurious precious metals with the exception of the newer Odysseus line. And the unique piece Tourbillon Pour le Mérite in stainless steel is perhaps the rarest of them all. Read on to find out more about this true collector’s item.
It will come as no surprise to anyone who has read Joshua’s pieces in the past that he likes a good jump hour mechanism. There is just something about that instantaneous change driven entirely by mechanical means that fascinates him. And yet not all “digital” watches require the use of jump hours and minutes; some don’t even use a jump at all, yet still read digitally. Here, he breaks down a list of his seven (plus change) favorite “digital” watches.
Since January of 2016, secondary market prices of stainless steel Patek Philippe Nautilus models have surged in a fashion rarely seen. This phenomenon – and it is that – is exceptional for reasons including the relative age of the models involved, the magnitude of the surge, and the speed with which it struck. Here Tim Mosso takes a closer look at the current secondary market insanity of the Nautilus.
What happens after a watch is stolen? Many collectors may be inclined to ignore this question as it isn’t fun to ponder. However, regrettably, we live in a time when this issue is even more pressing. Here Brendan Cunningham talks to Chris Marinello, founder of Art Recovery International, to learn what happens to stolen watches.
A discussion with fellow collectors that is bound to elicit interesting responses is two-tone watches. People tend to either love them or hate them. The lovers consider them the perfect mix between a sporty looking watch and a dress watch. People who don’t care for them may think of them as a weak compromise at best. What do you think?
A grail watch can be pretty much anything. But one thing a grail watch always is is personal. Very personal. Martin Green was introduced to his personal grail watch by a close friend who had recently treated himself to a new watch: a pre-Collection Privée Cartier Paris Louis Cartier Tank in platinum. Here’s the story of how Martin got his grail.
