For many years, high-end luxury brands have flirted with courting women as an untapped consumer group of prospective buyers. Two events set to take place in late 2016 underscore this movement: Eve’s Watch Awards and the Grand Prix d’Horlogerie de Genève.
The 2016 edition of the Grand Prix d’Horlogerie de Genève (GPHG) has published the list of pre-selected watches in the run-up to the eagerly anticipated red carpet awards ceremony in Geneva on November 10, 2016. Please find the full list of the finalists with photos here.
Many passionate fans of high watchmaking have likely heard of WOSTEP, however few know what this cryptic acronym really means. The answer is “Watchmakers of Switzerland Training and Education Program.” WOSTEP was born in 1966 and therefore turns 50 this year. Happy birthday to this great institution!
It’s that time of year again when the list of watches entered in the next edition of the Grand Prix d’Horlogerie de Genève (GPHG) is published. The GPHG is the “Oscars” of the watchmaking industry, and 2016 is the sixteenth edition of the red carpet event.
This list comprises all of the watches competing in the first round of the competition from which the jury will pre-select six in each of the 12 categories.
This young award is just barely three years old, but indeed it has already managed to reward some of the greatest personalities in the world of watches for their “passion” and “talent” – which are undeniably the most essential ingredients for the finest watchmaking. This year, the FHH once again awarded two epic personalities: miniature painter/enameler Anita Porchet and Chopard co-president Karl-Friedrich Scheufele.
Bronze, a copper-and-tin alloy some have described as “living” due to its beautiful way of patinating, seems to be making something of a comeback, which is certainly thanks to the beauty of the material. Is it becoming a trend? You can answer for yourself as here we show you five bronze watches we found at Baselworld 2016.
The top picks of my eighth consecutive visit to Baselworld were purely emotional, down to the design and aesthetics. These would be watches that I would want to wear and own. So armed with a bottle of water, my trusty Leica Q and tones of enthusiasm, this is #mybaselworld.
Please join our Quill & Pad round table discussion on Baselworld 2016. This time we take on some of the same topics that GaryG and his collector group use to the discuss their impressions of a watch fair: best of show, worst of show, watch you would buy with your own money, watch you would buy if money were no object, investment watch, patronage watch, fun watch, and a fantasy money no object watch.
Just as we were exiting the H. Moser & Cie stand at SIHH 2016, who should walk up but Adam Clayton, bassist for Irish band U2. What struck me first was the stylish look of his outfit. This extended to his wrist: Clayton was wearing the H. Moser & Cie Endeavour Perpetual Calendar in platinum with a grey/black dial the brand calls “ardoise.” Why is this watch so rock and roll?
Post-SIHH reports indicate that the inclusion of the so-called indies was a big success for both visitors and the small brands alike, but also that there was a little grumbling from some of the large established SIHH brands generated by the fact that visitors to the fair remarked − with justification − that there were more interesting watches in the Carré des Horlogers than in the rest of the SIHH altogether. What can the industry learn from their inclusion in 2016’s first fair?