Welcome to the inaugural Quill & Pad Baselworld “awards,” in which we highlight a few of the watches and goings-on that caught our eyes at the world’s largest watch exhibition. Here’s what caught our eyes at Baselworld 2014 in no particular order.
While static images are great for appreciating details, they are less effective at conveying the scale and sense of place of large exhibitions such as Baselworld. So to add another perspective to Baselworld 2014, we are please to share these interactive 360° views of Baselworld 2014.
And as much as I appreciate high-end complications, bright colors catch my eye just as much as the next person and here is a small selection of colorful timepieces from Baselworld 2014.
It is impossible to describe or exaggerate the sheer scale of Baselworld. Most of the halls are not only enormous, but contain even more brands, stands and booths you might think possible. There’s always something else around the corner, up the stairs or behind the door.
Two brand-new chronographs debuting here at Baselworld illustrate extreme sides of the coin: De Bethune’s manually wound DB29 Maxi Chrono Tourbillon and Glashütte Original’s Senator Chronograph Panorama Date.
Patek Philippe’s booth at Baselworld made for big news at both the 2013 and 2014 fairs: last year for not having been upgraded, and this year for being the only brand in Hall 1.0 to debut a brand-new, chic structure designed by a big-name architect.
You’ll forgive me, but these days the show “season” seems to run pretty much year-round. SIHH in January and Basel in the spring, and then before you know it we’re into Watches and Wonders (Hong Kong), Salon QP (London), SIAR (Mexico) and Belle Montres (Paris).
Entering Mentink & Roest’s booth, one is not only immediately enchanted by the lovely chimes and ticks of timepieces that are hundreds of years old. Here at this booth planted squarely within The European Fine Art Fair (TEFAF) held in Maastricht, Holland, the senses are also barraged by the conversations taking place among the various connoisseurs, collectors and dealers of these pieces, . . .
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