Greubel Forsey had an impressive SIHH 2015, which included two new variations on the GMT, one all black and one with an eye-catching red gold dial in a white gold case, and the all-new Tourbillon 24 Secondes Vision.
A tourbillon is actually a type of escapement and not a real complication. Tourbillons are not only quite complicated in themselves – some more complicated than others – they come in a very wide variety of shapes, sizes and functionality. Here are five tourbillons presented at the SIHH 2015 by Cartier, Greubel Forsey, Jaeger-LeCoultre, Parmigiani, and Roger Dubuis.
Greubel Forsey has begun the new year with a bang by presenting three new models at the 2015 SIHH: GMT Black, GMT with a striking red gold dial, and the all-new, beautifully pared-down, Tourbillon 24 Secondes Vision.
It is impossible to think that the SIHH (Salon International de la Haute Horlogerie) has been around for 25 years already…you know what they say, tempus fugit (time flies). The Geneva fair began in 1991 with five exhibitors: Cartier, Piaget and Baume & Mercier Gérald Genta and Daniel Roth.
It seems like only yesterday, but it was all the way back in January of 2014 that I had the opportunity to sit down for the first time with Elizabeth and Ian and hear their plans for Quill & Pad. Before the year completely gets away, here are a few of my observations and reflections on the industry, my first year at Quill & Pad, and my year in watches.
You may be familiar with the old Christmas diddy “The Twelve Days Of Christmas.” Let me sing you the final verse of this song, including what my true love gave to me on the twelfth and final day, in horological terms…
In this age of digital information, watch companies try to get ahead of the competition by releasing news on their new timepieces ahead of the big watch fairs. This year is no different, and in honor of the upcoming 25th edition of the Salon International de la Haute Horlogerie (SIHH), we present you with an overview of some of the new models that have already been revealed.
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, my starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. What have I learned since then?
Now we get to the real nitty-gritty at the Grand Prix d’Horlogerie de Genève.: the Aiguille d’Or. There are no ifs, and or buts any more, just a decision on which of the 72 pre-selected watches is the best overall timepiece of the year. It is the most prestigious of the awards given.
Which could be our panel’s favorite to win? The Margot by Christophe Claret? Urwerk EMC? Perhaps the De Bethune DB29 Maxichrono Tourbillon? Or will it be something else entirely?
On this sunny day in the La Chaux-de-Fonds factory, which is half charming eighteenth-century farmhouse and half state-of-the-art technical facility, I was entirely surprised by having learned something new about one of Greubel Forsey’s production elements: screws. The subject came up in passing at lunch, sparking great passion in Forsey despite what might seem to be a miniscule topic to the uninitiated.