The awesome Greubel Forsey Art Piece Edition Historique is a true coalescence of a decade and a half of horological exploration into something stunningly simple and complicated all at once. Joshua Munchow explains why.
The click spring is one of the smaller components of a mechanical watch, but it is of enormous importance. Ever wondered why the crown doesn’t retaliate furiously and unwind every time you crank it? Without the click spring, a wound mainspring would immediately – and explosively – uncoil like a raging viper in a hat box.
Seems it wasn’t that long ago that GaryG wrote his first “Objects of Desire” article about the watches of Robert Greubel and Stephen Forsey, finishing with: given the prices of their watches, he was unlikely to be able to buy any of those he truly lusted after anytime soon. Gary’s observation at the time was “go big or go home.” As you will see, he ended up going big and is now the proud owner of a Greubel Forsey Invention Piece 1.
Here are five of the most interesting stories about repeating timepieces posted on Quill & Pad in the last five years. We hope you enjoy reading them, looking at the photos, and even hearing their chimes for yourself in many cases.
GaryG was delighted to take possession of an Invention Piece 1 with its inclined double tourbillon, while a good friend of his replied in kind with a purchase of the quadruple-tourbillon Invention Piece 2. Ever since, he has been dying to get these two gorgeous monsters side by side in the light tent. And the time has finally come!
Impressively, the cathedral chimes remained audible as Stephen Forsey closed his palm completely around the Greubel Forsey Grand Sonnerie in a (knowingly) futile attempt to silence the gongs.
But how? And what else does this exceptional timepiece, one that I might call the best in the world, hold in store?
There is something about interviewing people like Stephen Forsey, co-founder of Greubel Forsey, that makes it a unique experience. Not only is Forsey a great watchmaker, he is also an entrepreneur with his finger on the pulse of the industry. And here he shares many insights from the last 15 years of his company, one the best watchmakers in the world.
Joshua pontificates upon the unadorned cleanliness emphasized by the new Greubel Forsey Tourbillon 24 Secondes Vision Enamel. The chapter ring and center inset are gone, and for good reason: enamel. This entire fresh dial is made of oven-fired enamel, with thinner numerals and markers harking back to classic pocket watches or vintage wristwatches, and a cutaway to admire the perfect finish of the 24-second tourbillon.
In the “Objects of Desire” series, I look at pieces that fall into the categories unobtanium and timenotrightium, as my Quill & Pad colleague Joshua Munchow might say. And, where better to start on the topic of desire than with the watches of Robert Greubel and Stephen Forsey?
Many of you are likely to have come across at least a few heated discussions of “finishing,” a topic that seems to fascinate, and divide, watch enthusiasts. Like many people, GaryG’s starting point for serious watches was with a well-priced brand long known for its expertise in developing movements, justly viewed as offering good value for money – but not necessarily for the refinement of its movement finishing, at least on its less expensive pieces. Read on to discover what he has learned since then?