Why do high-end watches cost so much? To answer the question, Ian Skellern looked at low production numbers and high complexity, but the cost he focuses on here is hand-finishing, because unlike low production numbers and high complexity, ultra-high-level hand-finishing is not easy to appreciate.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
Sabine Zwettler likes the flair of Norqain, a young, innovative brand bringing a fresh impulse by respecting the traditional values of the industry in general and Swiss codes in particular. She finds reading the time on this brand-new watch’s unusual green dial with its charming scratches a real pleasure. What do you think?
Complicated haute horlogerie doesn’t get much better than twin triple-axis spherical tourbillons as found in the Purnell Escape II Double Tourbillon. And while in some cases less is more, here more is definitely more. The tourbillons are mesmerizing in part thanks to their high rotation velocity; they make full revolutions in respectively 8, 16, and 30 seconds. What is behind this masterful piece of high watchmaking?
Many people believe resonance to be very rare, when in fact every single timekeeping device (yes, even quartz) is a resonant mechanism. But clocks and watches featuring resonance as we generally understand it in watchmaking are few and far between. In the last few decades, less than a handful of highly skilled watchmakers have taken up the challenge of creating a resonance watch. Here, Joshua Munchow looks at the pros and cons of the different approaches taken by the three leaders in this technology.
During a visit to D.Dornblüth & Sohn in eastern Germany, Bhanu Chopra noticed a new matte black ceramic dial in the workshop and loved the look so much that he asked the independent watchmakers to replace the more standard silver dial on his Dornblüth 99.1 with the new black one. And he’s very pleased with the result.
Clockmakers rarely get the credit they deserve, and Elizabeth Doerr believes that Rick Hale is deserving of at least a few minutes of your attention because this young autodidact clockmaker is doing something unique: handmaking self-designed clocks out of wood according to some of John Harrison’s principles.
Project 248 is the working title for Struthers Watchmakers’ first in-house, handcrafted movement. It features a new improved English lever escapement, picking up where the British industry left off in the late nineteenth century. Colin Alexander Smith reports extensively on the project whose first run of five watches has already sold out.
Is it possible to make a watch providing a novel and entertaining display of time that is wearable in a variety of settings and will be respected years from now? GaryG believes that he owns such a piece: the Upside Down made by independent watchmaker Ludovic Ballouard.
Resonance. No, it is not a Tesla-themed Evanescence cover band. Resonance is a physics principle that, to be honest, most people will never need to know to go about their daily lives. So what is all the hubbub about resonance these days? It’s a word that is, even in the watch world, so mysterious and rare that it is heard only once or twice a decade. In this article Joshua Munchow explains how resonance works and why it matters.