The Watches TV visited Vacheron Constantin’s Geneva boutique to talk with the brand’s style and heritage director Christian Selmoni, who provided the story of the new Overseas Perpetual Calendar Ultra-Thin Skeleton, which you can watch in this aesthetic five-minute video.
Joshua Muchow became somewhat informed about gemstones and related techniques in studying for the jewelry-heavy Grand Prix d’Horlogerie de Genève categories we discuss annually. This new information has sparked a significant amount of passion for the topic, leaving him wanting to share some of what he’s learned about one of the most beautiful sides of haute horology: gems and their settings.
French independent watchmaker Theo Auffret has called Paris his professional home for many of the last eight years. His debut watch, the Tourbillon à Paris, is both testament to his watchmaking philosophy and a fine example of French tradition in practice.
I’m all for evolution, especially continual evolution in watchmaking. However, from time to time we need revolution as well as evolution, and the former is severely lacking. While MB&F’s Legacy Machine Perpetual looks to all intents and purposes like one of the least radical timepieces created in the brand’s ten-year history, make no mistake: it is revolution, not evolution.
When Piaget introduced the manual wind Caliber 9P at the 1957 Basel Fair, at only 2 mm in height, it was considered an impossibility. Three years later, in 1960, Piaget stunned the watch world once again with Caliber 12P, an automatic movement that broke world records for its svelteness. What does that have to do with a vintage watch Martin Green saw? Find out here.
Elizabeth Doerr recently had the pleasure of celebrating with Nomos all that the city of Glashütte has accomplished in 175 years. The star of the informative day for her, though, was the set of three celebratory versions of the Lambda in a new (and very appropriate for this year) stainless steel case.
Both the Chronoswiss SkelTec and the new Opus chronograph show that Chronoswiss is on track to continuing the innovation begun with 1995’s Opus chronograph. Anders Modig takes a dive into contemporary skeletonization with two brand-new models by the brand, including two reboots of the original Opus.
Another champagne from 2008, you ask? Yes, Ken Gargett resoundedly replies: he says 2008 will go down as the greatest year of the champagne century despite a plethora of fine years since the turn of the millennium, and he is here to tell us all about it.
The Iconic category emphasizes men’s or women’s watches from a brand’s emblematic collection, meaning one that has had a lasting influence on watchmaking and its history as well as having been on the market for more than 20 years. Our panelists have mixed feelings about the Iconic category and are (nearly) split down the middle on picking a favorite.
In perusing the names of the 2020 jury of the Grand Prix d’Horlogerie de Genève, two distinct things became obvious to former jury member Elizabeth Doerr: that the entire jury is based in Switzerland and that it is far less diverse than it has been over the last decade. Here she breaks down why that is and provides some commentary and background on the new members.