The first Manufacture Royale was founded during the Age of Enlightenment by French writer, historian, and philosopher Voltaire (1694–1778). Launched in 2010, the modern Manufacture Royale inherited Voltaire’s independent spirit: the aim was to create a brand ahead of its time while expressing the same sort of offbeat humor the great poet was famous for.
The past few years have seen the steady rise of the all-black watch, but this color trend is also in fashion and home décor . . . and at least one exceptional pen. Leave it to Montblanc to shake things up a bit with the latest introduction reaching Montblanc boutiques this month: the Meisterstück Ultra Black Special Edition.
My first rule when it comes to collecting is to avoid setting too many exclusionary rules. If, however, I force myself to set criteria for what constitutes collecting to me, I keep coming back to passion and enjoyment. Nevertheless, there are lots of “safe queens” in the watch world. Yes, I’m looking at you, Mr. “Triple Sealed In Its Own Original Geneva Air And Never Wound Let Alone Chimed Patek Minute Repeater.”
Prosthetic limbs have come a long way since wooden peg legs and pirate hooks. Which explains why I was surprised by the fact that this arm below looks so evidently non-lifelike. What do you think this robotic arm might be for? Not what the arm is for per se, but the fictional story this photo might reveal in your mind.
It’s that time of year again when the list of watches entered in the next edition of the Grand Prix d’Horlogerie de Genève (GPHG) is published. The GPHG is the “Oscars” of the watchmaking industry, and 2016 is the sixteenth edition of the red carpet event.
This list comprises all of the watches competing in the first round of the competition from which the jury will pre-select six in each of the 12 categories.
During a recent trip to Paris, I stopped by Hermès’ Faubourg Saint-Honoré boutique to look at the Crafting Time exhibition. A highlight was the intriguing Hermès Arceau Pocket Ailes et Ecailles, whose dial is uniquely embellished with scarab beetle elytra fragments in a beautiful shimmering mosaic.
I’ve been trying, but have not managed, to come up with a more diplomatic way of saying this, so I’ll just come out with it: up to now, I have not generally been a fan of Bovet 1822. So I was surprised by just how much I was impressed with the Ottantasei by Pininfarina and would be very happy to wear one daily. But there is one niggle that I just can’t shake off.
The incredible UR-105 T-Rex is an extinct-reptile-inspired bronze creation using forced oxidation to create a dramatic patina on the surface, while the insides and the rear of the case remains crisp, black, and new as one would expect from Urwerk. My initial response was ‘whoa,’ but among observers there was no middle ground: the Urwerk UR-105 T-Rex is polarizing.
Date: late February 2010. Place: a small San Francisco restaurant. Players: an informal group of Northern California watch collectors, all owners of at least one Kari Voutilainen watch. One of the members of the group nonchalantly mentioned, “I’ve been talking with Kari about something . . ..” It was a set of bespoke Kari Voutilainen Masterpiece Chronograph II models. Time: two seconds later. Response: “I’m in!”
In 2010 I had the pleasure of visiting a Swiss artist, whose talents spread across a broad spectrum of artistic domains. However, he would be much better known to anyone reading Quill & Pad as the designer of some of the most revolutionary wristwatches of the last century. Can you guess who he is and the watches he has designed from the clues provided?