Andeas Strehler’s Trans-Axial Remontoir Tourbillon uses the watchmaker’s definitive style to create an even more accurate timepiece than he has made before. And since Strehler also likes to focus on impressive mechanics, he has done it in a way that stood out among the multitude of new watches presented at Baselworld 2018. Which is worth repeating.
Whenever Łukasz Doskocz thinks about a watch made by an independent watchmaker, a certain recollection comes to mind – one that could explain his passion for timepieces created by masters combining diminutive production with gargantuan horological expertise. This particular story involves a watch brand, a trip to Switzerland, and what is normally a very casual thing: lunch.
A generous friend recently offered GaryG the opportunity to shoot his white gold Kari Voutilainen Masterpiece Chronograph II so that Gary is able to share delightful photos of both his custom pink gold Chronograph II in comparison with his friend’s custom white gold version.
The Opus 5 by Felix Baumgartner/Urwerk for Harry Winston is one of the best of this series of exceptional timepieces. But, as this drawing by Urwerk designer Martin Frei from June of 2003 shows, one of the original ideas behind Urwerk’s Opus 5 was a digital display in a model christened with the working title “Time Bandit.” Check out this superb almost-was timepiece!
“I have no secrets as past watchmakers had. There are graveyards full of secrets and that’s enough.” – Philippe Dufour, 2014
The clarity of the minimalist, yet artistic dial of Stefan Kudoke’s Kudoke 2 makes this watch extremely appealing. But when you turn it over and see the gorgeous movement, it’s all over: you’ve fallen in love.
The era of the master visionary and maker may be dead and gone in many other industries, but to create a beautiful watch, like composing a beautiful string quartet, you need a Beethoven, a Haydn, or a Brahms not a committee of brainstormers dreaming up target groups. Paul Gerber is up there with the giants, and Marton Radkai explains why.
For GaryG the wonderful Antiqua by Vianney Halter is a long-term keeper. He fell for the Antiqua when he first saw one more than a dozen years ago; while many of his friends will freely confess that at the time they were at first put off by its looks, Gary was smitten from the start. But that’s not all that he loves about this watch. Find out here why he bought it!
GaryG wears all of the watches in his collection, though some watches are more suited to daily wear than others. A reader’s question got Gary thinking, both about which pieces in his assortment are the go-to routine watches for frequent wear and, at a more fundamental level, what makes a watch a “daily wearer.” Read his opinion on that right here.
This is the story of a daily-wear watch: the Tsunami by Japanese independent watchmaker Hajime Asaoka. It’s not a “beater” as it’s too beautifully made for that description, and some folks justifiably take offense at characterizing a five-figure expenditure in those terms. But it is a watch that GaryG suspects that he will be wearing a lot and in a variety of settings.