The Cannes Film Festival is where Grace Kelly first met Prince Rainier in 1955. So the The opening film could therefore not be a more fitting one: Grace de Monaco, a new film by French director Olivier Dahan, is set to open the 67th edition of the glittering event and Cartier figures prominently into this 30-million-dollar feature film.
The Mutua Madrid Open is a young tournament; it crowned just its thirteenth winner on May 11, 2014. This winner happens to be world number one Rafael Nadal. And Nadal was wearing an evolution of the ground-breakingly ultra-light RM 027. In lightness as in its $690,000 price tag, this watch breaks all kinds of records.
Before the turn of the last century, a famous travel goods company by the name of Louis Vuitton was working with elite clientele, which often encompassed world travelers. These clients wanted a way to mark their goods with a personal design that would represent them all over the world and distinguish them as wealthy and powerful business people.
In 2009, Jaeger-LeCoultre introduced a wristwatch so complicated in its premise and execution that it made my jaw drop: the Duomètre à Grande Sonnerie. Then earlier this year, the Le Sentier-based brand introduced the Master Ultra Thin Minute Repeater Flying Tourbillon.
Contemplating the 30-meter-high ancient pyramid at Mayan archeological site Chichén Itzá in the blazing Yucatán sunlight, I was awestruck by the structure’s complexity. Not just because of the pure historical ramifications of the pyramid and temple , but also because of its timekeeping capabilities. Chichén Itzá’s most famous structure was actually built to be the world’s largest calendar And this at a time when calendars didn’t even exist!
The Andreas Strehler Sauterelle à Lune Perpétuelle contains a moon phase mechanism that will only need adjustment by one full day every 14,189.538 years. And not only does the Lune Perpétuelle have an extremely accurate moon phase, but with the help of the constant force mechanism it is even more accurate for the little intervals as well.
This is the last in our three-part series on tourbillons from Baselworld 2014. It includes fantastic timepieces from Blancpain, Greubel Forsey, Girard-Perregaux, Hautlence and Vianney Halter I have stretched the criteria a little here: while I saw the Greubel Forsey and Vianney Halter watches during Baselworld, neither of them was actually exhibiting at the fair.
One hundred seventy-five years is an enormous span of time for a watch company to be in continuous existence and consistently producing not just timepieces, but top-of-the-range timepieces. What is the secret of this quintessentially traditional company, which has managed to move with the times so gracefully, continuing to appeal to younger people just getting bit by the horology bug as much as older, settled collectors?
De gustibus non disputandum est, as they say: there is no arguing about taste! In particular, I’m not one to tell people what they can do with their belongings. If you, for instance, want to take your Ferrari, paint it pink, and put a giant Hello Kitty decal on it, that’s your privilege. That doesn’t mean that I have to like the item in question. In this instance, I am referring to the Grieb & Benzinger re-interpretation of the classic A. Lange & Söhne Pour le Mérite Tourbillon christened Blue Merit.
Quill & Pad has the extreme honor to introduce you to the Grieb & Benzinger Blue Merit, a unique collector’s item created from one of the rarest serial movements in watch history: A. Lange & Söhne’s Tourbillon Pour le Mérite.