It’s already been six consecutive years that I’ve had the delightful experience of going through SIHH week with several of my closest friends. Our closing discussions centered around four questions, which were focused more tightly on SIHH itself this year due to the inclusion of nine independent watchmakers: what watch did you think was best of show at SIHH? What was the worst watch of the show? What watch displayed at the show would you buy if money were no object? What watch did you see on display that would you buy with your own money?
Watches & Wonders, inaugurated three years ago as an Asian version of the SIHH, has evolved into an important horological exhibition for local press and watch aficionados thanks to its strategic location in Hong Kong. Here we bring you an overview of 12 interesting timepieces launched at this prestigious fair.
“What, another watch?” she almost screamed in disbelief no sooner than I had opened the front door to our little love nest. Rewind to last week. I had been looking for a Roger Smith Series 1 for some time now, and Jones, my watch dealer, happened to finally locate one. I thought that I had played it pretty safe, so I really don’t know how she could have noticed. But then what happened next changed the rest of my life.
For the past five years, I’ve had the delightful experience of traveling to Switzerland with several friends to experience SIHH week, before finishing up with a Friday night dinner at which we review our impressions of the week by answering what watch we thought was best of show at SIHH; what was the worst watch; what current-production watch that we saw at any event during the week would we buy if money were no object; and what current-production watch did we see that we would buy with our own money?
It’s no secret that luxury watch manufacturers are courting women more and more. Here we show you five beautiful mechanical watches for women powered by high-end mechanical movements from Audemars Piguet, Vacheron Constantin, Van Cleef & Arpels, IWC and Parmigiani.
You may be familiar with the old Christmas diddy “The Twelve Days Of Christmas.” Let me sing you the final verse of this song, including what my true love gave to me on the twelfth and final day, in horological terms…
Now we get to the real nitty-gritty at the Grand Prix d’Horlogerie de Genève.: the Aiguille d’Or. There are no ifs, and or buts any more, just a decision on which of the 72 pre-selected watches is the best overall timepiece of the year. It is the most prestigious of the awards given.
Which could be our panel’s favorite to win? The Margot by Christophe Claret? Urwerk EMC? Perhaps the De Bethune DB29 Maxichrono Tourbillon? Or will it be something else entirely?
Van Cleef & Arpels is known today in the haute horlogerie realm as the “maison” producing Poetic Complications, little love stories on the wrist. It has always produced beautiful items of the highest quality, but in recent years the Richemont-owned brand has sincerely added high watchmaking to its goals as a luxury house.
Which is where Agenhor enters the picture since the lion’s share of the Poetic Complications line is developed in collaboration with Jean-Marc Wiederrecht and his specialist company, Agenhor, which develops complications and – now – movements for an exclusive clientele.
The wonderful relationship between Van Cleef & Arpels and Agenhor – a bit of a love story itself – has resulted in many amazing timepieces and accolades from the industry. Wiederrecht was asked to work on an extension for the Pierre Arpels line, which has largely remain unchanged since its eponymous inception in 1949.
The result, as you will see, is one of the most poetic and functional dual time watches that I have ever seen: the Pierre Arpels Heure d’ici Heure d’ailleurs.