Ashton likes vintage watches so much that his prized possession is a 1978 Rolex Submariner Reference 1680. Why does he love this watch so much? Not because it looks like it’s from 1978, but because it is from 1978. So, he asks, is the current vintage trend something we should be wholeheartedly embracing?
After reading article after article discussing the virtues of Patek Philippe’s Nautilus, it became clear to watch enthusiast and Quill & Pad reader Perry Heim that none stated a self-evident truth that appears obvious to him. In this “letter to the editor” Perry explains in detail what he finds so appealing about the Patek Philippe Nautilus Reference 5711. And he stacks the Nautilus up against some serious contemporary contenders.
GaryG was sitting at his breakfast table on the morning of January 18, 2013 when during his morning scan of news he saw a photo of something breathtaking. It was Logical One by Romain Gauthier – a watch he immediately knew that he would own someday. He was captivated by the white gold version with frosted gold movement: this was “the one” for him.
As these things go, Parmigiani Fleurier and GaryG go back a pretty long way. So it was with significant interest that he took up the opportunity to handle, photograph, and evaluate Parmigiani’s latest introduction, the Tondagraph GT. It’s a relatively rare combination of two useful complications in what the brand calls “all-occasion” packaging, and it is offered at a quite reasonable price relative to other pieces of its kind.
Why do high-end watches cost so much? To answer the question, Ian Skellern looked at low production numbers and high complexity, but the cost he focuses on here is hand-finishing, because unlike low production numbers and high complexity, ultra-high-level hand-finishing is not easy to appreciate.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
Colin Alexander Smith’s journey into what some call “watch fettling” began with a case of cat-killing curiosity: one of the subdial hands on a cheap watch had come loose, bringing it to a halt. That led him down a horological rabbit hole. Here he explains why you might want to consider a similar path.
A good friend of GaryG’s owns a cream-dialed Reference 2526, and Gary has often admired it over the years, but hadn’t really understood the role that the 2526 plays in Patek Philippe’s history until talking with him and other watch pals and doing some late-night online research. Read on to learn why he bought this special “Gobbi Milano” edition from 1954 in an exciting spur of a moment.
You can like everything, but you can’t buy – or keep – everything! Inevitably, the choices involved lead at times to regrets; for GaryG, along with many of his pals, the sadness is much more often about pieces they sold too soon or failed to buy rather than pieces they were sorry about buying in the first place. Here’s a story of shoulda, woulda, coulda.
From the torrent of really well done watch photos appearing on Instagram and other media these days, it appears as though lots of watch enthusiasts have been spending at least some of their time in COVID-19-induced shutdowns polishing their macro photography and wrist shooting. And GaryG is among them. Here he shares a few of the thousands of photos he has taken recently using a new-to-him flash style.