The short documentary film ‘Time Piece’ features two of the world’s best living watchmakers, Philippe Dufour and Vianney Halter, and provides excellent insight into what makes the watches by these masters so special.
In GaryG’s view, every successful independent watchmaker has elements of a “house style” that may attract some buyers and put off others, but nonetheless set him or her apart. And, at the highest level, this style goes beyond “branding” to become an expression of the personality and artistic vision of the creator. In the picturesque Swiss town of Thun, Beat Haldimann and his small team distinguish themselves by focusing on technical virtuosity of the highest order as typified by the Haldimann H1 Flying Central Tourbillon.
Vianney Halter’s Deep Space Tourbillon marked the triumphant comeback of one of the single most influential and innovative horological artists of his generation. Elizabeth Doerr looks back on the genesis of Halter’s futuristic triple-axis tourbillon and the watches that preceded it, including the mythical Harry Winston Opus 3, and speculates a bit on his future.
GaryG bought a Vianney Halter Deep Space Tourbillon and hopes that you will find his commentary on a collector’s mindset and the motivations, delights, and possible misgivings interesting and helpful. And of course there are the amazing photographs that only GaryG takes.
The time-only Romain Gauthier Micro-Rotor already seemed like it was built around the concept of ‘simplify, then add lightness’ as it was pared back to the essentials while still maintaining the Gauthier flair. Now the Insight Micro-Rotor Squelette doubles down on the concept and continues to add even more lightness everywhere thanks in great part to open architecture that has been skeletonized, laying the inner workings bare. But there’s more to it, and Joshua Munchow explains all of it here.
Why do high-end watches cost so much? To answer the question, Ian Skellern looked at low production numbers and high complexity, but the cost he focuses on here is hand-finishing, because unlike low production numbers and high complexity, ultra-high-level hand-finishing is not easy to appreciate.
One of the inconveniences associated with the current restrictions on gatherings is that GaryG’s local watch gang hasn’t met in person so he hasn’t been able to borrow interesting watches to shoot. However, just prior to the lockdown in California, he did pick up an intriguing piece from a pal: the Anniversary by Vianney Halter. Check it out in every great photographic variation here.
Sabine Zwettler likes the flair of Norqain, a young, innovative brand bringing a fresh impulse by respecting the traditional values of the industry in general and Swiss codes in particular. She finds reading the time on this brand-new watch’s unusual green dial with its charming scratches a real pleasure. What do you think?
Complicated haute horlogerie doesn’t get much better than twin triple-axis spherical tourbillons as found in the Purnell Escape II Double Tourbillon. And while in some cases less is more, here more is definitely more. The tourbillons are mesmerizing in part thanks to their high rotation velocity; they make full revolutions in respectively 8, 16, and 30 seconds. What is behind this masterful piece of high watchmaking?
Many people believe resonance to be very rare, when in fact every single timekeeping device (yes, even quartz) is a resonant mechanism. But clocks and watches featuring resonance as we generally understand it in watchmaking are few and far between. In the last few decades, less than a handful of highly skilled watchmakers have taken up the challenge of creating a resonance watch. Here, Joshua Munchow looks at the pros and cons of the different approaches taken by the three leaders in this technology.