Rolex had never called out to Joshua Munchow as a watch that he must have or that would be the pinnacle of his collection. He thinks that this is because of the downsides to it being the most widely known watch brand in the world: forgeries and overexposure abound. So what is it about 2015’s Rolex Day-Date 40 that turned him into a convert? Read on to find out.
The Patek Philippe Calatrava Reference 6007A marked a physical and spiritual shift for the brand and may be one of the most un-Calatrava Calatravas of recent memory. Joshua Munchow takes a look at what made this model an outlier and also why it simultaneously didn’t come from left field.
Oskar Pascal is the brainchild of a pair of Swedish brothers who were neither previously involved in the watch industry nor are they watchmakers. The engineer and designer have created a cleanly designed chronograph housed within the world’s first watch case in ZR01, an amorphous alloy based on zirconium, one of the hardest metals in the world and even used by NASA. And then there are the Pods!
When Tim and Bart Grönefeld showed Ian Skellern their prototype 1941 Grönograaf during Watches & Wonders 2022, he loved it. But he didn’t think it would win “Best Chronograph” 2022 at the Grand Prix d’Horlogerie de Genève because he thought that prize would go to the then-soon-to-be-released MB&F LM Sequential EVO. Ian has since changed his mind, and here’s why.
In early 2023, Hublot introduced the Big Bang Tourbillon Automatic Yellow Neon Saxem, featuring a case made of a mysterious and rather impressive-looking crystal called Saxem. It looked like an addition to the brand’s extensive line of sapphire watches. But as a retired laser physicist, I wondered: what material was behind that name? Perhaps a special kind of synthetic sapphire?
Here Elizabeth Doerr highlights three new watches of 2021 by independent watchmakers with eye-catching dials that really caught her own eye.
You can like everything, but you can’t buy – or keep – everything! Inevitably, the choices involved lead at times to regrets; for GaryG, along with many of his pals, the sadness is much more often about pieces they sold too soon or failed to buy rather than pieces they were sorry about buying in the first place. Here’s a story of shoulda, woulda, coulda.
For CHF 4,950, the Ming 37.05 Series 2 is a thoroughly thought-out design, a generous dose of original character, and a fun execution on one of the industry’s oldest complications: the moon phase. Unfortunately, it quickly sold out.
Martin Green thinks that the Maurice Lacroix Aikon Skeleton 39mm is sized perfectly. And to see the skeletonized movement and (nearly) all its parts, the way they interact and work, is captivating.
Big brands are now making beautiful, reliable, and relatively accurate “traditional” mechanical watches, but the handcrafted work many of us value is disappearing. Highly skilled watchmakers and artisans are rare and expensive: there just aren’t enough of them available to churn out the large quantity of nice watches now being sold. And why bother when nobody seems to have noticed?