The Andreas Strehler Sauterelle à Lune Perpétuelle contains a moon phase mechanism that will only need adjustment by one full day every 14,189.538 years. And not only does the Lune Perpétuelle have an extremely accurate moon phase, but with the help of the constant force mechanism it is even more accurate for the little intervals as well.
An exciting new brand and its first watch aren’t things that come along often. So when Joshua Munchow saw this watch by chance at Baselworld, he exclaimed “Ooh that’s cool!” and hustled over to speak with the gentleman manning the very small stand. The brand was Phenomen, and the watch was its first model, the Axiom. For him, the Axiom feels a little bit MB&F, a little bit Urwerk, and a whole lot of cool.
What Makes Me Tick loves watches made by small independent artisans because they fully embody the vision of their makers, who have put blood, sweat, and tears into creating them. Among the independent brands, De Bethune is most probably his favorite. In fact, no “probably” about it: De Bethune is his favorite. Here’s how his customized DB28 Maxichrono came to be.
The Vault V1 is one of the newly introduced watches this year that made a profound impression on Martin Green. Now the V1 serves as a canvas for artists, and Laurent Auberson, designer of the Vault V1, has applied paint splatter on the dial of the watch that plays a vital part in telling the time.
Joshua Munchow likes brands that blur the lines and stir up discussion. One such brand that has been building steam over the last few years is Lundis Bleus, an independent Swiss marque out of La Chaux-de-Fonds producing some really cool timepieces with a mixture of sourced components and in-house production with clear disclosures about both.
The resemblance between the Hysek Design Colonne du Temps and a Romaneque column is more than just fleeting, especially since it has the word column in its name. Released at Baselworld 2018, this clock marks the return of Jorg Hysek, a prolific watch designer and founder of an eponymous brand, who has spent the last two years sailing his boat in quasi-retirement.
GaryG has already written about the struggles that independent watchmakers face simply to survive. Expressing oneself through horological art may well be a noble calling, but it’s definitely one of the tougher ways to make a living. Chanel’s very recent investment in F.P. Journe caused Gary to think about the pros and cons of outside investment into indies and he shares his thoughts here.
Black aventurine is a relatively recent invention and few brands – perhaps just one – have incorporated the material in watches as yet. One exception is astronomical specialist Christiaan van der Klaauw, which recently released a black aventurine dial on the already incredible Planetarium. Joshua Munchow explains what makes this black material so special.
The Armin Strom Dual Time Resonance is part of an entirely new line: the Masterpiece collection. As the inaugural timepiece, it holds the distinction of bearing the title Masterpiece 1 and sets a new direction for the brand. The resonance concept as a whole is one of the least explored systems in all of horology and here it is displayed in all its glory. Joshua Munchow explains how.
Affordable enamel dials made in Scotland and powered by Swiss mechanical movements? Elizabeth Doerr investigated anOrdain further to see for herself what this was all about and shares what she learned here.