Chris Malburg set out to buy his wife a watch. After many happy years of marriage to a lovely woman it was time. He knows enough about her and her tastes to take the leap. Or does he? If you’re a female reader you probably already know this ends badly. If you’re a guy, keep reading. Showing up is 80 percent, and you just showed up.
GaryG has already written about the struggles that independent watchmakers face simply to survive. Expressing oneself through horological art may well be a noble calling, but it’s definitely one of the tougher ways to make a living. Chanel’s very recent investment in F.P. Journe caused Gary to think about the pros and cons of outside investment into indies and he shares his thoughts here.
We tend to forget that the production of straps is an industry in and of itself, which functions both reactively and proactively. Manufacture Jean Rousseau not only offers prêt-a-porter watch straps, but also crafts custom-made products. Learn more about it here!
The GPHG defines the Aiguille d’Or category as, “a prize rewarding the best overall watch among all categories and is the most prestigious award.” Judging that is no easy task, and our panel has predicted four possible winners: the De Bethune DB25 Starry Varius Chronomètre Tourbillon, Ulysse Nardin Freak Vision, Habring2 Doppel-Felix, and Akrivia Chronomètre Contemporain. Read on to see why.
Good customer service has been a hotly debated topic in the watch industry for decades. The increase in both service intervals and warranty periods is certainly a welcome one, but it does beg the question what changed? In the years leading up to 2015, what dramatic horological advancements were discovered to make longer service intervals possible? Watchmaker Ashton Tracy investigates.
As the resident gentleman of Quill & Pad, Martin Green feels that the time is soon approaching to write an obituary announcing the death of the dress watch. He thinks that its passing is coming and it’s not an isolated event, but it still hurts.
Marketing material for the modern mechanical watch almost always includes a description of the the movement’s frequency. You may have even sensed that the higher the frequency, the more accurate a movement gets. But is this entirely true? Ryan Schmidt shares what he has learnt here.
Several months ago, Ian Skellern published a provocative article taking issue with the current state of online watch journalism. Specifically, he criticized what in his view is the low quality and repetitive nature of what we see online. But are things really uniform and uniformly bad or are there distinct types of online sources and content? GaryG wonders how we think about the different business models and value propositions of watch sites, and what it tells us about how the future may unfold.
Why watches? Ask what makes a watch enthusiast tick and the idea of the “soul” of a watch might well feature in the response – the idea that something elevates the watch from a cold object of engineering to something of greater import. Here Ryan tracks “soul” down and gets contemplative on its nature along with some very special imagery.
GaryG loves independent watchmaking and independent watchmakers; one of his great joys as a collector is having the feeling that, in a small way, he is supporting their efforts. So he put some thought into why independent watchmakers struggle in a business sense and how they can remain relevant in changing market situations.
